abécédaire deleuze j comme joie

J'adore ce philosophe, je bois l L'Abécédaire de Gilles Deleuze (“Gilles Deleuze's alphabet book”) is a French television program produced by Pierre-André Boutang in 1988–1989, consisting of an eight-hour series of interviews between Gilles Deleuze and Claire Parnet.

C'est en 1988, rue de Bizerte, à Paris. Entretiens filmés par Pierre-André Boutang.

Aborder la réflexion de Deleuze au travers de l'Abécédaire est d'une apparente simplicité, d'une déconcertante fluidité. Puis c'est l'abécédaire de Gilles Deleuze et Claire Parnet. Agissant et non plus spectateur. Le philosophe en revient au «concept spinoziste de résistance et de vie». Chez Deleuze, la Joie est immense, mais elle ne nous réconcilie avec rien. By clicking "Accept" or by continuing to use our site, you consent to our Pictorial spiritism (a woman’s drawings guided by a spirit)Pictorial spiritism (a woman’s drawings guided by a spirit)A cinematic poem and an ode to water: its rhythms,…A cinematic poem and an ode to water: its rhythms,…An artist crochets a perfect skeleton and internal organsAn artist crochets a perfect skeleton and internal organs
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(6) Abécédaire de Gilles Deleuze. Between 1988 and 1989 Gilles Deleuze agreed to participate in a curious television experiment called According to Deleuze, “you experience joy when you satisfy, when you effectuate one of your capacities.Within Spinozian philosophy, and by extension in Deleuze’s thought, “affecting one’s own abilities is always a good thing,” for there are no “bad capacities.” This leads us to the problem of the bad, that is, of power, which, according to Deleuze, is defined as:Spinoza’s philosophy starts with an investigation of the exercise of power, and in that light, we can see the difference between power and capacity. La joie est physique, intense et brève, même si elle peut être suivie de tout un tas d’états d’âme agréables.

La conception fondamentale de l’oeuvre, la pensée de l'éternel retour, cette formule suprême de l’affirmation, la plus haute qui se puisse concevoir, – date du mois d’août de 1881.

In “J comme joie” (J for Joy), Parnet interrogates Deleuze not only on the concept of joy in Spinoza’s work, but also in his own.

Deleuze takes up again a comment from the interviewer:In this sense, Deleuze thinks that “all power is sad,” even if “those in power are delighted to have it.” He refers to power as “a sad joy.” That is, if joy is the putting into use of a capacity or a power, no putting to use can be strictly evil:The risk of exercising our own capacities is, therefore, the risk of being alive, of carrying out our capacities and our potentialities. Aujourd'hui, on en est à la lettre J comme Joie. "Elle émerge le plus souvent en réaction à un événement qui représente une rupture de la continuité de notre existence" signale Christophe André.Au coeur de la morosité ambiante, ce n’est pas si simple de se le permettre. This…
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